A Workshop in Butoh
During this workshop, participants will investigate movement and stillness by exploring the body’s natural anatomical potential, including floating, hanging, and strings. Exercises from Noguchi Taiso water body practice and aspects of butoh will help remove customary societal and cultural behaviors, guiding dancers toward bodily emptiness. Without the constraints of old habits, the unconscious body can freely respond to sensations, forces, and states of emotions to become a fully expressive body.
Dancers will be instructed with lessons to expand their range of movements, including subtle, unrestrained, fading, animal, and revolutionary.
Description of the Indescribable Butoh
Originating in post-WWII Japan, butoh is a potent and revolutionary dance form. Butoh uses the body brazenly as a battleground to attain personal, social, or political transformation. In its early forms, butoh embraced and referenced Western artistic movements: German Expressionism, Dadaism, Surrealism, Existentialism, and Fluxus, all of which pervaded the Tokyo underground and the avant-garde art scene at that time.
The co-founders of butoh, Tatsumi Hijikata, and Kazuo Ohno trained in German Modern dance, which was integral to the development of German Expressionism. But, eventually, they took opposite approaches to their dance-making. Hijikata’s work became known as ankoku butoh (dance of utter darkness); he embraced the grotesque and the absurd, exploring themes of sacrifice, struggle, and death. Ohno’s butoh was playful, humorous, and filled with light and life. Today’s butoh is influenced by both Hijikata and Ohno and wrestles to balance those contrary approaches.
Like many other Japanese concepts, butoh is defined by its very evasion of definition. It is both theatre and dance, yet it follows no choreographic conventions. It is a subversive force, through which traditions are overturned. As such, it must exist somewhere on the social periphery. It is a popular spectacle, unlike the classical theatre of Noh with its elaborate gestures. Yet it is esoteric. It is a force of liberation, especially within the conformist Japanese social structure, yet it is born out of extreme discipline. In a culture of exceptional visual harmony, it employs a vocabulary of ugliness.
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Arrival Check-In, Opening Circle and Departure
- Arrival/Onsite Check-In: Participants will check-in at the front of the Farmhouse from 4-7pm on Thursday, September 4th. Dinner from 6-7pm.
- Opening Circle: Friday, September 5th at 10 am. All participants are asked to attend.
- Closing Circle: Sunday, September 7th at 12:30pm. Lunch 1-2pm.
- Final Group Clean: Sunday, September 7th from 2-3pm
- Departure: Sunday, September 7th by 3pm.
Our Fees Explained
Earthdance is a Public Charity that relies greatly on ticketing income to fulfill its Artistic, Cultural and Educational mission. We want to make our work available to folks with varying economic realities and offer a sliding scale payment for participation in most of our events. Please take a moment to reflect where you best fit on that scale. We ask everyone to stretch where they are able so that those who cannot may still have access to our events.
As you choose your rate please consider the following factors:
- Your access to income and wealth, as connected to family and partnership(s), past, present and future.
- The historical, systemic impacts of wealth accrual based on culture, race and other marginalized intersections for you and your family.
- The regional ease of your attendance, while some community members can drive to Earthdance, others will need to consider tuition based on their ability to travel longer distances.
PRICING
Equity & Access Tickets
Although we’re not able to offer any full scholarships this year, we’re excited to offer up to 3 FULL JAM Equity & Access Discounts to individuals who feel part of an underrepresented and/or marginalized group in CI and have a relationship with CI. We know that for those who come from marginalized populations showing up to spaces filled with primarily privileged groups can be a challenge, and can feel vulnerable.
Application Coming Soon!
Earthdance makes efforts to support Equity & Access at all its events. At our four Seasonal jams we do this through:
- Reduced price Equity & Access tickets for folks who find our normal tickets to be a barrier. Participants self-identifying as being underrepresented and/or marginalized in CI are prioritized when allocating these tickets.
- An Accountability, Safety and Care (ASC) team that supports the processing of difficult situations that might come up in relation to consent, identity and other relational issues.
- Support from a BIPOC Team at our seasonal jams that hosts meals and supports offerings and affinity spaces based on BIPOC participants’ desires.
Housing Options
Gratitude Lodge
Includes a bed in the Gratitude Lodge, event offerings, sauna & quarry access, and food during the event.
The Gratitude Lodge (a.k.a. the Earthdance dorm) is the main lodging facility, connected to the Farmhouse by a short wooded trail. The lodge includes large and small rooms featuring dormitory-style bunks and beds (twin & queen size) and is included in the base cost. Beds are available on a first come basis.
Camping
Includes a spot to camp at Earthdance, event offerings, sauna & quarry access, and food during the event.
Commuter
You will have access to the event offerings, sauna & quarry access, and food.
Commuter Health Care: We ask that you please use caution when commuting and limit, if possible, to just commuting to and from your home and Earthdance, staying away from large crowds to maintain the health and well being of the other event participants.
Nine Mountain is NOT available.
Cancellation Policy
Refund available up to 14 days (August 21st) before the event less a $75 processing fee.
No refunds available less than 14 days (August 21st) from the start of the event.
Partial refunds might be given if a cancellation takes place under extenuating circumstances (e.g. a death of a 1st or 2nd degree family member, serious non-preventable illness or accident requiring hospitalization). Refunds in such cases remain at the discretion of the local organizers and will be decided on a case to case basis according to the timing of the cancellation and other factors. We do not offer refunds if you catch a cold, the flu or COVID after the cancellation date.
Health Precautions
No specific requirements on vaccination status are needed to attend this event. Please take adequate measures to limit your exposure in the days before arriving. If you are feeling sick, or have a known close exposure to someone with COVID in the past 5 days, please sit this one out to keep the community well.
COMMUTERS: We ask that you please use caution when commuting and limit, if possible, to just commuting to and from your home and Earthdance, staying away from large crowds to maintain the health and well being of the other participants.
Participant Community Support
Earthdance runs as a community, thus part of the participation is that all individuals contribute to 1-2 work shifts (typically meal cleans) throughout the event and participate in a final house clean on the last day of the event. These are great ways to connect more with your fellow participants and Earthdance staff, and to feel more at home in the Earthdance buildings & grounds. Your contributions to this collective caring of this space are invaluable!
Earthdance’s buildings are ADA accessible. More info here.
HOST BIO
Julie Becton Gillum, artistic director of the 14-year-running Asheville Butoh Festival, has been creating, performing, and teaching dance in the US, Europe, Asia, and Mexico for over 40 years. She has practiced butoh for 27 years. Gillum was awarded the 2008-09 North Carolina Choreography Fellowship and used the funds to travel to Japan to study Butoh.
Julie is currently training and performing in Japan with Saga Kobayashi, Moe Yamamoto, Mari Osanai, Seisaku, and Yuri Nagaoka. On February 18, she performed with Katsura Kan at a festival in Kyoto at the URBANGUILD.
Since 2019, Gillum has been active in India, Serbia, Georgia, Greece, Mexico, and the USA. Recent performances at the Amsterdam Butoh Festival (October 2023), Seattle Butoh Festival (November 2023), NYU Abu Dhabi Art Museum (February 2024), UNFIX Festival in NYC (May 2024) were well received.
Julie’s most influential mentors in butoh have been: Anzu Furukawa, Diego Piñon, Yoshito Ohno, Natsu Nakajima, and Seisaku. Noguchi Taiso has become equally important for Gillum whose studies with Mari Osanai and Emre Thormann have refined her practice. She has guided butoh for 25 years and Noguchi Taiso for 10 years.